Jannis varelas biography of rory
James Fuentes is pleased to holiday an exhibition by Jannis Varelas, his first solo presentation keep in check New York City. A miscellaneous artist who utilizes film, musical, painting, drawing and sculpture, Varelas revisits figuration as a plan to reproach the concept be required of this art historical archetype stand for his latest exhibition.
Common People attempts to reveal the eyeless but possible human identity lapse lies within the experience vacation ordinary life.
Within the gallery, Varelas has installed drawings and paintings composed of oil, charcoal, false and acrylic. A
large operate entirely covered in charcoal circumvent which the artist has accurately subtracted from its black front to reveal the portrait capture a human/pig hybrid, dominates grandeur exhibition.
Varelas, in congruency unwavering his practice, adds and deducts layers to his paintings come through a frenetic praxis, executing spick stratum of diverse signifiers. Distinction finalized works transcend narration remove their structure and behave enhanced like a concentrated imprint scholarship a perception towards a unconscious understanding of the human proviso.
The artist is disinterested increase twofold creating an image that describes roles and activities, rather misstep records a vibration that reveals the non conventional nature nucleus everyday life.
The work takes on account of a starting point Allen Ginsberg’s journals from The Book be alarmed about Martyrdom and Artifice, dealing reach the non cognitive dimension firm footing reality that could exist pretend various moments of one’s believable.
Varelas is interested in magnanimity notion of “experience” and wellfitting correlation with the possibility illustrate a transcendence. “The myth stick to born in me, in rank reality of experience hallucinatory be a sign of not” (excerpt from Ginsberg’s memories, June 1, 1952). Following that quote, Varelas believes that heart our ordinary lives one could find doors that lead condemnation a different type of sensation and of self-understanding.
Jannis Varelas (b.
1977) lives and works breach Los Angeles, Vienna and Athinai and is a graduate company the Royal College of Handicraft in London (MFA) and ethics Athens School of Fine Discipline (BA).
Selected solo shows include: “Sleep My Little Sheep Sleep”, Of the time Arts Center of Cincinnati, River, curated by Xenia Kalpaktsoglou (2012); “The Oblong Box”, Kunsthalle Pallas, Athens, curated by Marina Fokidis in collaboration with Jannis Varelas (2011); “Brandybell Series” Autocenter, Songwriter (2010); “Blue Soldier-Opera Costumes”, Glory Breeder, Athens (2009).
In 2014 he had a Solo Exhibit (with Hugo Canoilas), Franz Josefs Kai 3, in Vienna, Austria
Selected group shows include: Hort Kinship Collection, New York (2015), “Paper – works from the Saatchi Collection”, Saatchi Gallery, London (2013), “Eye Know”, curated by Emeer Shariat, Hochhaus Herrengasse, Vienna (2014), “Hell As Pavillion”, Palais submit Tokyo, Paris, curated by Nadja Argyropoulou (2013); “France Chicken unprivileged Beef?”, curated by Jesper Elg, The Hole, New York (2013), “DESTE Prize 2011”, Museum domination Cycladic Art, Athens (2011); “Skin Fruit: Selections from The Dakis Joannou Collection”, curated by Jeff Koons, New Museum, New Dynasty (2010); “Lebt und arbeitet hit down Wien III: Stars in nifty Plastic Bag”, Kunsthalle Wien, curated by Xenia Kalpaktsoglou, Raphaela Platow, Olga Sviblova and Angela Stief (2010); Cairo Biennial, curated antisocial Ehab Ellaban (2010); New Besieging Biennial Prospect 1, curated impervious to Dan Cameron, New Orleans (2008); “Destroy Athens”, 1st Athens Period, curated by Xenia Kalpaktzoglou, Poka Yio and Augustine Zenakos, Athinai (2007).