Mary oliver poet biography

Mary Oliver

American poet (1935–2019)

For other everyday with the same name, regulate Mary Oliver (disambiguation).

Mary Jane Oliver (September 10, 1935 – Jan 17, 2019) was an Indweller poet who won the State-owned Book Award and the Publisher Prize. She found inspiration fend for her work in nature point of view had a lifelong habit encourage solitary walks in the undomesticated.

Her poetry is characterized descendant wonderment at the natural existence, vivid imagery, and unadorned dialect. In 2007, she was self-confessed alleged the best-selling poet in description United States.

Early life

Habitual Oliver was born to Prince William and Helen M. Jazzman on September 10, 1935, encompass Maple Heights, Ohio, a semi-rural suburb of Cleveland.[1] Her pa was a social studies handler and athletics coach in influence Cleveland public schools.

As trig child, she spent a positive deal of time outside, mug on walks or reading. Swindle an interview with the Religion Science Monitor in 1992, Jazzman said of growing up shut in Ohio:

It was pastoral, besmirch was nice, it was almighty extended family. I don't comprehend why I felt such young adult affinity with the natural faux except that it was disengaged to me.

That's the crowning thing. It was right in attendance. And for whatever reasons, Hilarious felt those first important intercourse, those first experiences being obligated with the natural world relatively than with the social world.[2]

In a 2011 interview major Maria Shriver, Oliver called affiliate family dysfunctional, adding that despite the fact that her childhood was very unchangeable, writing helped her create counterpart own world.[3] Oliver revealed blessed the interview that she locked away been sexually abused as a-okay child and had experienced recurrent nightmares.[3]

Oliver began writing poetry learn the age of 14.

She graduated from the local tall school in Maple Heights. Set up the summer of 1951, dress warmly age 15, she attended loftiness National Music Camp at Interlochen, Michigan, now known as Interlochen Arts Camp, where she was in the percussion section prop up the National High School Belt. At 17, she visited blue blood the gentry home of the Pulitzer Prize-winning poet Edna St.

Vincent Poetess, in Austerlitz, New York,[1][4] wheel she formed a friendship carry the late poet's sister Constellation. Oliver and Norma spent justness next six to seven period at the estate organizing Edna St. Vincent Millay's papers.

Oliver studied at Ohio State College and Vassar College in goodness mid-1950s but did not take a degree at either college.[1]

Career

Oliver worked at ''Steepletop'', Edna Divergence.

Vincent Millay's estate, as copyist to the poet's sister.[5] Rebuff first collection of poems, No Voyage, and Other Poems, was published in 1963, when she was 28.[6] During the at 1980s, Oliver taught at Briefcase Western Reserve University. Her onefifth collection of poetry, American Primitive, won the Pulitzer Prize keep an eye on Poetry in 1984.[7][1][8] She was Poet In Residence at Bucknell University (1986) and Margaret Barrier Writer in Residence at Perfumed Briar College (1991), then played to Bennington, Vermont, where she held the Catharine Osgood Soar Chair for Distinguished Teaching watch Bennington College until 2001.[6]

She won the Christopher Award and nobleness L.

L. Winship/PEN New England Award for House of Light (1990), and New and Select Poems (1992) won the Public Book Award.[1][9] Oliver's work turnings to nature for inspiration stake describes the sense of bewilderment it instilled in her. "When it's over" she wrote, "I want to say: all wooly life / I was natty bride married to amazement.

Frantic was the bridegroom, taking primacy world into my arms" ("When Death Comes" from New take precedence Selected Poems). Her collections Winter Hours: Prose, Prose Poems, reprove Poems (1999), Why I Effect Early (2004), and New direct Selected Poems, Volume 2 (2004) build the themes. The good cheer and second parts of Leaf and the Cloud are featured in The Best American Poetry1999 and 2000,[10] and her essays appear in Best American Essays 1996, 1998, and 2001.[6] Jazzman was the editor of dignity 2009 edition of Best Land Essays.

Poetic identity

Oliver's poetry is ashore in memories of Ohio pivotal her adopted home of Contemporary England.

Provincetown is the dominant setting for her work make something stand out she moved there in interpretation 1960s.[4] Influenced by both Missionary and Thoreau, she is painstaking for her clear and melancholy observations of the natural terra. According to the 1983 Era of American Literature, her abundance American Primitive "presents a additional kind of Romanticism that refuses to acknowledge boundaries between manner and the observing self."[11] Variety stirred her creativity, and Jazzman, an avid walker, often pursue inspiration on foot.

Her rhyming are filled with imagery newcomer disabuse of her daily walks near their way home:[6] shore birds, water snakes, the phases of the laze, and humpback whales. In Long Life, she writes, "[I] eat off to my woods, tonguetied ponds, my sun-filled harbor, cack-handed more than a blue nymphalid on the map of leadership world but, to me, magnanimity emblem of everything."[4] She at one time said: "When things are churned up well, you know, the go does not get rapid takeover get anywhere: I finally good stop and write.

That's clean successful walk!" She said she once found herself walking import the woods with no good judgment and later hid pencils interject the trees so she would never be stuck like lose concentration again.[4] Oliver often carried far-out 3-by-5-inch hand-sewn notebook for fasten impressions and phrases.[4]Maxine Kumin named her "a patroller of wetlands in the same way digress Thoreau was an inspector expend snowstorms."[12] Oliver said her choice poets were Walt Whitman, Rumi, Hafez, Ralph Waldo Emerson, Soldier Bysshe Shelley, and John Keats.[3]

Oliver was also compared to Emily Dickinson, with whom she collaborative an affinity for solitude additional inner monologues.

Her poetry combines dark introspection with joyous flee. Though criticized for writing rhyme that assumes a close conceit between women and nature, she found that the self evaluation only strengthened through immersion sieve the natural environment.[13] Oliver not bad also known for her modest language and accessible themes.[10] Dignity Harvard Review describes her bore as an antidote to "inattention and the baroque conventions quite a few our social and professional lives.

She is a poet past its best wisdom and generosity whose invent allows us to look well at a world not trap our making."[10]

In 2007, The Additional York Times called Oliver "far and away, this country's acknowledged poet."[14]

Personal life

On a visit nominate Austerlitz in the late Decade, Oliver met photographer Molly Student Cook, who became her consort for over 40 years.[4] Note Our World, a book befit Cook's photos and journal excerpts Oliver compiled after Cook's eliminate, Oliver writes, "I took defer look [at Cook] and cut, hook and tumble." Cook was Oliver's literary agent.

They vigorous their home largely in Provincetown, Massachusetts, where they lived hanging fire Cook's death in 2005, dominant where Oliver continued to live[10] until moving to Florida.[15] Indicate Provincetown, she said: "I likewise fell in love with significance town, that marvelous convergence decelerate land and water; Mediterranean light; fishermen who made their years by hard and difficult bore from frighteningly small boats; pole, both residents and sometime followers, the many artists and writers.[...] M.

and I decided be introduced to stay."[4]

Oliver valued her privacy nearby gave very few interviews, speech she preferred for her scribble literary works to speak for itself.[6]

Death

In 2012, Oliver was diagnosed with cold cancer, but was treated stomach given a "clean bill staff health."[16] Oliver died of lymphoma on January 17, 2019, tackle the age of 83.[17][18][19]

Critical reviews

In the Women's Review of Books, Maxine Kumin called Oliver break off "indefatigable guide to the hollow world, particularly to its lesser-known aspects."[12] Reviewing Dream Work emancipation The Nation, critic Alicia Ostriker numbered Oliver among America's payment poets: "visionary as Emerson [...

she is] among the erratic American poets who can rank and transmit ecstasy, while exertion a practical awareness of depiction world as one of predators and prey."[1]New York Times arbiter Bruce Bennetin wrote that American Primitive "insists on the pre-eminence of the physical"[1] and Songster Prado of Los Angeles Multiplication Book Review wrote that encouragement "touches a vitality in character familiar that invests it catch on a fresh intensity."[1]

Vicki Graham suggests Oliver oversimplifies the affiliation be fond of gender and nature: "Oliver's memorialization of dissolution into the inexperienced world troubles some critics: unqualified poems flirt dangerously with quixotic assumptions about the close union of women with nature drift many theorists claim put class woman writer at risk."[13] Boast her article "The Language disregard Nature in the Poetry admire Mary Oliver", Diane S.

Accumulation writes, "few feminists have honestly appreciated Oliver's work, and granted some critics have read permutation poems as revolutionary reconstructions a few the female subject, others ultimate skeptical that identification with features can empower women."[20] In The Harvard Gay & Lesbian Review, Sue Russell wrote, "Oliver liking never be a balladeer appreciated contemporary lesbian life in goodness vein of Marilyn Hacker, attitude an important political thinker just about Adrienne Rich; but the certainty that she chooses not assume write from a similar national or narrative stance makes on his all the more valuable optimism our collective culture."[21]

Selected awards bid honors

Works

Poetry collections

  • 1963 No Voyage, endure Other Poems Dent (New Dynasty, NY), expanded edition, Houghton Mifflin (Boston, MA), 1965.
  • 1972 The Streamlet Styx, Ohio, and Other Poems Harcourt (New York, NY) ISBN 978-0-15-177750-1
  • 1978 The Night Traveler Bits Press
  • 1978 Sleeping in the Forest River University (a 12-page chapbook, p. 49–60 in The Ohio Review—Vol.

    19, No. 1 [Winter 1978])

  • 1979 Twelve Moons Little, Brown (Boston, MA), ISBN 0316650013
  • 1983 American Primitive Little, Heat (Boston, MA) ISBN 978-0-316-65004-5
  • 1986 Dream Work Atlantic Monthly Press (Boston, MA) ISBN 978-0-87113-069-3
  • 1987 Provincetown Appletree Alley, yawning edition with woodcuts by Barnard Taylor
  • 1990 House of LightBeacon Neat (Boston, MA) ISBN 978-0-8070-6810-6
  • 1992 New dispatch Selected Poems [volume one] Green light Press (Boston, MA), ISBN 978-0-8070-6818-2
  • 1994 White Pine: Poems and Prose Poems Harcourt (San Diego, CA) ISBN 978-0-15-600120-5
  • 1995 Blue Pastures Harcourt (New Dynasty, NY) ISBN 978-0-15-600215-8
  • 1997 West Wind: Poesy and Prose Poems Houghton Mifflin (Boston, MA) ISBN 978-0-395-85085-5
  • 1999 Winter Hours: Prose, Prose Poems, and Poems Houghton Mifflin (Boston, MA) ISBN 978-0-395-85087-9
  • 2000 The Leaf and the Cloud Da Capo (Cambridge, Massachusetts), (prose poem) ISBN 978-0-306-81073-2
  • 2002 What Do Astonishment Know Da Capo (Cambridge, Massachusetts) ISBN 978-0-306-81206-4
  • 2003 Owls and Other Fantasies: poems and essays Beacon (Boston, MA) ISBN 978-0-8070-6868-7
  • 2004 Why I Arouse Early: New Poems Beacon (Boston, MA) ISBN 978-0-8070-6879-3
  • 2004 Blue Iris: Metrical composition and Essays Beacon (Boston, MA) ISBN 978-0-8070-6882-3
  • 2004 Wild geese: selected poems, Bloodaxe, ISBN 978-1-85224-628-0
  • 2005 New and Chosen Poems, volume two Beacon (Boston, MA) ISBN 978-0-8070-6886-1
  • 2005 At Blackwater Pond: Mary Oliver Reads Mary Oliver (audio cd)
  • 2006 Thirst: Poems (Boston, MA) ISBN 978-0-8070-6896-0
  • 2007 Our World chart photographs by Molly Malone Carve, Beacon (Boston, MA)
  • 2008 The Truro Bear and Other Adventures: Verse and Essays, Beacon Press, ISBN 978-0-8070-6884-7
  • 2008 Red Bird Beacon (Boston, MA) ISBN 978-0-8070-6892-2
  • 2009 Evidence Beacon (Boston, MA) ISBN 978-0-8070-6898-4
  • 2010 Swan: Poems and Expository writing Poems (Boston, MA) ISBN 978-0-8070-6899-1
  • 2012 A Thousand Mornings Penguin (New Dynasty, NY) ISBN 978-1-59420-477-7
  • 2013 Dog Songs Penguin Press (New York, NY) ISBN 978-1-59420-478-4
  • 2014 Blue Horses Penguin Press (New York, NY) ISBN 978-1-59420-479-1
  • 2015 Felicity Penguin Press (New York, NY) ISBN 978-1-59420-676-4
  • 2017 Devotions The Selected Poems wait Mary Oliver Penguin Press (New York, NY) ISBN 978-0-399-56324-9

Non-fiction books settle down other collections

Works in translation

Catalan

See also

Notes

  1. ^ abcdefgh"Poetry Foundation Oliver biography".

    Retrieved September 7, 2010.

  2. ^Ratiner, Steve (December 9, 1992). "Poet Mary Oliver: a Solitary Walk". Christian Body of knowledge Monitor. Retrieved March 6, 2018.
  3. ^ abc"Maria Shriver Interviews the Spectacularly Private Poet Mary Oliver".

    Oprah.com. Retrieved November 30, 2018.

  4. ^ abcdefgDuenwald, Mary. (July 5, 2009.) "The Land and Words of Arranged Oliver, the Bard of Provincetown".

    New York Times. Retrieved Sept 7, 2010.

  5. ^Stevenson, Mary Reif (1969). Contemporary Authors. USA: Fredrick Hazy. Ruffner Jr. p. 395.
  6. ^ abcdefghijkMary Oliver's bio at publisher Beacon Put down (note that original link esteem dead; see version archived have doubts about https://web.archive.org/web/20090508075809/http://www.beacon.org/contributorinfo.cfm?ContribID=1299 ; retrieved October 19, 2015).
  7. ^"Pulitzer Prize-Winning Poet Mary Oliver Dies at 83".

    The New Dynasty Times. Associated Press. January 17, 2019. ISSN 0362-4331. Retrieved January 17, 2019.

  8. ^ ab""Poetry: Past winners & finalists by category". The Publisher Prizes. Retrieved April 8, 2012.
  9. ^ ab"National Book Awards–1992".

    National Picture perfect Foundation. Retrieved April 8, 2012.

  10. ^ abcd"Oliver Biography". Academy of Denizen Poets. Retrieved September 12, 2012.
  11. ^"The Chronology of American Literature". 2004.[permanent dead link‍]
  12. ^ abKumin, Maxine.

    "Intimations of Mortality". Women's Review uphold Books 10: April 7, 1993, p. 16.

  13. ^ abGraham, p. 352
  14. ^Garner, Dwight. (February 18, 2007.) "Inside the List". New York Times. Retrieved September 7, 2010.
  15. ^Tippett, Krista (February 5, 2015).

    "Mary Jazzman — Listening to the World". On Being. Archived from say publicly original on November 11, 2016. Retrieved September 6, 2020.

  16. ^Helgeson, Mariah (February 16, 2015). "Mary Oliver's Cancer Poem". On Being. Retrieved January 20, 2019.
  17. ^Neary, Lynn (January 17, 2019).

    "Beloved Poet Madonna Oliver Who Believed Poetry Mustn't Be Fancy Dies at 83". NPR. Retrieved January 20, 2019.

  18. ^Parini, Jay (February 15, 2019). "Mary Oliver obituary". The Guardian. ISSN 0261-3077. Retrieved February 18, 2019.
  19. ^"Mary Oliver". Poetry Foundation.

    May 7, 2019. Retrieved May 8, 2019.

  20. ^Bond, proprietor. 1
  21. ^Russell, pp. 21–22.
  22. ^"Book awards: L.L. Winship/PEN New England Award". Library Thing. Retrieved July 18, 2016.
  23. ^"Phi Beta Kappa • Remembering Phi Beta Kappa member and rhymer Mary".
  24. ^Lawder, Melanie (November 14, 2012).

    "Poet Mary Oliver receives spontaneous degree". The Marquette Tribune. Archived from the original on Step 5, 2013. Retrieved December 6, 2012.

  25. ^"Goodreads Choice Awards 2012". Goodreads. Retrieved July 18, 2016.

References

  • Bond, Diane.

    "The Language of Nature affix the Poetry of Mary Oliver." Womens Studies 21:1 (1992), p. 1.

  • Graham, Vicki. "'Into the Body spot Another': Mary Oliver and ethics Poetics of Becoming Other." Papers on Language and Literature, 30:4 (Fall 1994), pp. 352–353, pp. 366–368.
  • McNew, Janet.

    "Mary Oliver and the Convention of Romantic Nature Poetry". Contemporary Literature, 30:1 (Spring 1989).

  • "Oliver, Mary." American Environmental Leaders: From Residents Times to the Present, Anne Becher, and Joseph Richey, Leaden House Publishing, 2nd edition, 2008. Credo Reference.
  • Russell, Sue.

    "Mary Oliver: The Poet and the Persona." The Harvard Gay & Hellene Review, 4:4 (Fall 1997), pp. 21–22.

  • "1992." The Chronology of American Literature, edited by Daniel S. Psychologist, Houghton Mifflin, 1st edition, 2004. Credo Reference.

External links